Jean-Michel Othoniel La Grande Lèvre Le Complimenté L’Interdit De la passe sainte à la peinture de passe
Jean-Michel Othoniel, view of the exhibition, 1991.
Jean-Michel Othoniel, La Grande Lèvre, sulphur on copper on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, Le Complimenté, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 166.7 × 106.7 cm, edition of 6 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, L’Interdit, sulphur on copper, colour (yellow), enhanced with oil on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, De la passe sainte à la peinture de passe, diptych, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 214.4 × 166.7 cm, edition of 3 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
