Katie Holten
Procumbent Notions
Katie Holten
Céline Duval
Trois bons amis, à vous tous, pour vous mesdames!…
Céline Duval, Trois bons amis, à vous tous, pour vous mesdames!…, brochure, Xerox photocopies, 20 pages including the 4 cover and back pages, 13.3 × 17.7 cm, photocopy, black/white, both-sided, French, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, and Jacob Fabricius, Pork Salad Press, Copenhagen, 2003.
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PACEMAKER #1
PACEMAKER #1, free newspaper, first number, texts by Jens Hoffman, « Plus jamais d’expos emmerdantes », Carissa Rodriguez, «Philippines, Tristes tropiques», Daniel and Alexandre Costanzo, « Charles Bronson&sons », Richard Prince, «Eleven Conversations», Michael Roy, « Roman », Eric Troncy, « la Logique du Projet », Elvis Presley, Bri ce Dellsperger, « Shelley Michelle, Body Double Xtraordinaire », Rob Pruitt & Jonathan Horowitz, « Peacock Hill, haunted mansion for Sale », Theodor W. Adorno, « Astrologie », V/VM, « Bienvenue à l’asile musical », Jonathan Monk, Una Szeeman, « Un plâtre à la mode de Los Angeles. Un témoignage de Joël Rane », Marquis de Bièvre, editorial, «Lettre à la Comtesse Tation», doctor : Bernadette Van – Huy, astrology : Elena Montesinos. Offset on alsaprint 70gm2 paper, open : A2 format, 148 x 210 cm, folded in three cross fold points, one colour black, edition of 7000, English and French, photo – journalist : Bruno Serralongue, graphic design : deValence, Paris, direction of the publication: Eva Svennung and Alexis Vaillant/Toasting Agency, Paris, co – produced by the Centre d’édition contemporaine, Geneva, May 2003.
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VALDEZ #5
Valdez de oro-anthologie des révolutions
VALDEZ #5 – Valdez de oro-anthologie des révolutions
Part I ; a flipbook, fragments from the film El Día que me quieras by Leandro Katz, 30 min. colour, Digi Beta, 1998 / Giorgio Agamben, « Frenhofer y su doble » / Pedro Manrique Figueroa , « Cinco collages americanos » / Mauricio Cruz, « La dimensión orname ntal » / Jennifer Gonzalez, « Preliminary problems in constructing a situation » / Alberto Baraya , « Expédition dans l’ancienne Europe » / Katya Sander and Ashley Hunt, « Revolutions pr. Minute » / Dan Graham, « Mis trabajos para páginas de revista: ‘Una historia del Arte Conceptual’ » / Elías Canetti, « ¿Porqué no escribo como Karl Kraus? » / M.I.R., « Entrevista a Pablo León de la Barra » / Gregory Whitehead, « The Bottom of the mind » / « The Best 5000 Colombian Contemporary Artist » / Tanya Leighton, « Tempo – Time » / Alain de Beaufort, « By: Alain de Beaufort » / B.O. , « Lo autobiográfico en Heidegger » / Luis Ospina, « El Crepúsculo de los (a)Dioses » / Saul Anton, « The One and the Other (Ten Chiasmata after Documenta) » / Pablo Batelli, « Contra el a rte mercantil » / Jeffrey Skoller, « Memories of the Revolution » / Jaime Iregui, « Estados Alterados » / Alex Villar, « Freirean Detours » / Juan Manuel Cuartas, « Antonin Artaud, la rebelión, el nervio, la escritura » / Rafael López, « A quien pueda inte resar » / Patricia Aristizábal Montes, « Locura mujer escritura: la locura en tres escritoras colombianas » / Saskia Sassen, « Entrapments Rich Countries cannot escape: Governance Hotspots » / Will Bradley, «‘Ranters’» / Victor Manuel Rodríguez, « On Sta ge: Pedro Manrique Figueroa and the Rethoric of Modernist Art History » / Galia Ospina Villalba, « Born Yesterday » / F.B., « Íconos » / Leandro Katz, « POL: A Different Light on the International Debt Problem » / Camilo Vega, « Pórtico/Cada época tiene s u propio Stalin/Lenin/Principios de la estética proletaria/Tengo Miedo » / F.B., « Contribución a la Antología de Revoluciones » / Victor Manuel Rodríguez, « Entrevista a Antonio Caro » / F.B., « Imagining this piece » / Mariangela Méndez, « vive y trabaja en Bogotà » / Carlos Enrique Lozano, « Brecht para insectos » / François Bucher, « Editorial ». Part II , Christopher Ho and Hilda Daniel, « Orbit 2001 » / José Tomas Giraldo, « Casa en Bogotà » / Véronique Bacchetta, « Jakob Kolding » / Pavel Buchler, « s ans titre » / Pablo Batelli, « Los dados del azar absoluto / Concurso Valdez: I). What is Switzerland? II). Qué es Suiza? » / Angeline Scherf, « Anne Marie Schneider » / Marie Oresanz, « Questo foglio puoi prenderlo e portartelo a casa » / Carlos Basuald o, « To all Art Curators in the World: Our Duty » / Veran Matic and Drazen Pantic « War of Words, When the bombs came, Serbia’s B92 hit the Net. » / Michelle Marchaux « Guerraeterna » / F.B. « La Escuela Manrique/The Manrique School » / Christopher Ho «Reprinted Speech from Saturday 15, 2001 » / F.B. y L.O. « Entrevista » / a conversation between Cédric Price and Hans Ulrich Obrist « Cities, Museums, Cybernetics ».
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Mads Ranch KornumDark Matter / Two Great “Works” by Mads Ranch Kornum
Mads Ranch Kornum, Dark Matter / Two Great « Works » by Mads Ranch Kornum, brochure, Xerox photocopies, 16 pages including the 4 cover and back pages, 14.8 × 21 cm, photocopy, black/white, both-sided, English, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, and Jacob Fabricius, Pork Salad Press, Copenhagen, 2003.
CHF 15.-
Roman Ondák
Good Feelings in Good Times
Roman Ondák, Good Feelings in Good Times, brochure, Xerox photocopies, 32 pages including the 4 cover pages, 14.8 × 21 cm, photocopy, black/white, both-sided, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, and Jacob Fabricius, Pork Salad Press, Copenhagen, 2003.
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FINGER #12
FINGER#12, free issue published by the Centre d’édition contemporaine and the Finger group, in collaboration with Aurélien Gamboni, Sloane Huguenin and M arion Ronca, with French, English and German texts, from Sloane Huguenin «L’histoire d’une brigade, « C’est vrai qu’il déménage souvent… », an interview of Stéphane Monbaron (French, with English summary), Claudia Hummel « The Give – Away Books » (English ), Florian Haas « Lew, ein Spezialist für Monumentalplastik und die Darstellung von Karl Marx » (German, with English summary), Marion Ronca « CIRA , the international center for research on anarchism » (English), Die Sportsfreunde Rüsselsheim « Das Noizemo bil 2000, ein Urlaubsbericht » (German, with English summary), Aurélien Gamboni, « Petit voyage dans le monde des normes » (French, with English summary), Martin Brandt, « Match it if you can » (English), offset, black, on light green paper, 16 stapled pag es, 21 x 29,7 cm, edition of 5000
Jakob Kolding
Sans titre
Jakob Kolding, Sans titre, offset poster, black/white, on shiny laid paper 135 g/m2, 60 × 84 cm, edition of 700, not numbered, not dated, not signed. Edition of the Centre d’édition contemporaine, Geneva, 2003.
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Jakob Kolding
Posters
Jakob Kolding, Posters, artist’s publication, document file containing 18 folded prints: reproductions of posters, of photographs of in situ posters, several texts in English/French as well as an introduction by the artist, a selection of texts on three previous projects in Denmark, Geneva and Los Angeles, a text by Doreen Massey (geographer), English translations of texts on selected posters, 21 × 29.7 cm, offset print, black/white, on semi-mat laid paper 115 g/m2, document file on mat and laid paper Invercote G-Print 280 g/m2, 21.5 x 30.2 cm, edition of 700. Edition of the Centre d’édition contemporaine, Geneva, 2003. ISBN 978-2-9701174-1-4.
CHF 28.-
Karl Holmqvist
CECI N’EST QU’UNE ILLUSION
Karl Holmqvist, CECI N’EST QU’UNE ILLUSION, silkscreen printed plastic bag, black/white, 34.5 × 46.5 cm, unlimited edition. Edition of the Centre d’édition contemporaine, Geneva, 2002.
Edition offered to the 2002 members of the Centre d’édition contemporaine association.
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Monica Bonvicini
ETERNMALE
Monica Bonvicini, ETERNMALE, publication with 13 reproductions of collages from the series Drawings for Eternmale (2000) and an interview of Monica Bonvicini by Beatrix Ruf, offset print on white opaque Patinata paper 200 g/m2, colours, 14 pages bound together by a metal spiral, 50 × 60 cm (same size as Pirelli calendars), edition of 1000. Coedition of the Kunsthaus Glarus and the Centre d’édition contemporaine, Geneva, 2002.
CHF 150.-
Jakob Kolding
Sans titre
Jakob Kolding, Sans titre, offset poster, black/white, on satin-finish paper (one side) 135/170 g/m2, 59.3 × 83.5 cm, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, 2001.
Edition offered to the 2001 members of the Centre d’édition contemporaine association.
Free
Fabrice Gygi
PITON UNIVERSEL
Fabrice Gygi, PITON UNIVERSEL, cast aluminium, cardboard box, 15 × 4 × 3 cm, edition of 30, numbered. Edition of the Centre d’édition contemporaine, Geneva, 2001.
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Laurence Huber
et
Marie-José Blanquet
Replicant
Laurence Huber et Marie-José Blanquet, Replicant, vase in polyester resin, Ø 16 cm, height: 50 cm, edition of 4. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
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Alexandre Bianchini
Sans titre
Alexandre Bianchini, Sans titre, silkscreen poster, colours, 176 × 120 cm, edition of 100, copyright Alexandre Bianchini and Centre genevois de gravure contemporaine. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
Edition offered to the 2000 members of the Centre genevois de gravure contemporaine association.
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Sidney Stucki
Prototype 1
Sidney Stucki, Prototype 1, brown tainted plexiglas chair, 79 × 50 × 56 cm, edition of 1. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
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Vidya Gastaldon
&
Jean-Michel Wicker
Chromolux Landscape
Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, silkscreen prints, two colours (fluorescent pink or silver) and two patterns (landscape or crystals), 100 × 70 cm, on an unlimited series of Chromolux 250 g/m2 papers (Color or Perlmutt Iridescent or Metallic), edition of 174 plus 8 A.P. and 12 H.C., not signed, not numbered, not dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
CHF 250.- one print
CHF 450.- two prints
KLAT
EVIL TALK
KLAT, EVIL TALK, poster, silkscreen print, black/white phosphorescent on poster paper, 50 × 100 cm, edition of 300. Coedition of the Centre genevois de gravure contemporaine and Forde, espace d’art contemporain, Geneva, 2000.
Edition offered to the members of 1999 of the Centre genevois de gravure contemporaine association.
CHF 50.-
Elke Krystufek
In the Arms of Luck
Elke Krystufek, In the Arms of Luck, book, offset print, black/white, colours, on Centaure white 170 g/m2 paper, 29 × 21,5 cm, 56 pages, full cardboard binding, edition of 800. Coedition of the Centre genevois de gravure contemporaine, Geneva, and the Maison Levanneur / Centre National de l’Estampe et de l’Art Imprimé, Chatou, 1999. ISBN 2-912483-03-4.
CHF 40.–
Elke Krystufek
Economical Love
Elke Krystufek, Economical Love, poster, offset print, colours, 70 × 50 cm, edition of 160 dated and signed and approx. 60 not signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Edition offered to the members of 1998 of the Centre genevois de gravure contemporaine association.
CHF 30.– not signed
CHF 50.– dated and signed
Mourad Cheraït
Sans titre
Mourad Cheraït, Sans titre, tablemat, offset print, colours, on white offset paper 80 g/m2, 28 × 42 cm, edition of 1500. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Alex Baladi
Alex Baladi, Tous mutants, publication, comics, Xerox copies, edition of 100, 21 × 15 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
Alex Baladi, De toutes petites choses un petit peu personnelles, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Alex Baladi, Pourquoi, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
Alex Baladi, Chicas, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Elena Montesinos
Sincerly Yours
Elena Montesinos, Sincerely Yours, musical greeting card inside transparent plastic, photographs on thermic paper, music processor, 15.3 × 11.5 cm, edition of 20, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Elena Montesinos
Love it
Elena Montesinos, Love it, blotting paper, plastic, 8.2 × 12.1 cm, edition of 300, numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1997.
Edition offered to the members of 1997 of the Centre genevois de gravure contemporaine association.
CHF 15.–
Jérôme Hentsch and Alain Julliard
Jérôme Hentsch and Alain Julliard, Un bateau en papier, offset print on Zerkall-Bütten Ingres champagne vergé 90 g/m2 paper, 29.7 × 21 cm, in a cardboard jacket Invercote GX white 340 g/m2, 29.8 × 21.1 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–
Alain Julliard and Jérôme Hentsch, Fond de commerce, silkscreen print on acetate, 45.5 × 21 cm, in a cardboard jacket Invercote GX blanc 340 g/m2, 46.5 × 42.4 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–
Fabrice Gygi,
Sans titre
Fabrice Gygi, Sans titre, silkscreen poster, colours, 100 × 68 cm, edition of 150, numbered from 1 to 150, plus 8 A.P., dated, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Edition offered to the members of 1996 of the Centre genevois de gravure contemporaine association.
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Heimo Zobernig
Sans titre
Heimo Zobernig, Sans titre, 15 lithographs, black, on BFK Rives 300 g/m2 paper, 80 × 65 cm, edition of 4 plus 1 A.P. and 1 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 5’000.– each
Nicolás Fernández
Nicolás Fernández, Tu es entré et tu es sorti. Maman, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Ils nous ont donné, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Ils nous ont vendu, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Ils nous ont acheté, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Vos mères se souviendront de vous, woodcut, protection paper, 101 × 76 cm, edition of 6 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 600.-
Nicolás Fernández, Je t’ai donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-
Nicolás Fernández, Tu m’as donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-
Alexandre Bianchini
Detroit on Circle
Alexandre Bianchini, Detroit on Circle, super 8 mm films, colours, 3’, 24 im/sec, edition of 12 plus 2 A.P. and 2 H.C., numbered. Sound: Minus, Robert Hood / Maurizio 05, basic channel / Vertical, Jeff Mills, Axis 008 / Growth, Jeff Mills, Axis 10 / Detroit on circle, Robert Hood / Internal empire, Robert Hood / Mike Inke, Studio 1 / Version, Hubert Mean / DJ Sid, MG 004 / (excerpts). Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
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Kristin Oppenheim
Slip
Kristin Oppenheim, Slip, six lithographs, black/white, on BFK Rives 300 g/m2 paper, 80 × 60 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 650.– each
Rosemarie Trockel
Sans titre
Rosemarie Trockel, Sans titre, 3 etchings (3 patterns: grid, loops, balloons), soft wax, colours, on BFK Rives 300 g/m2 paper, 120 × 90 cm, printed in 9 copies (of which: 3 blue copies, 3 red copies and 3 green copies, signed and dated), edition of 27 plus 9 A.P. and 11 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
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Olivier Mosset
Sans titre
Olivier Mosset, Sans titre, burin engraving, black/white, 35 × 35 cm, 150 H.C., signed and numbered from 1 to 150, and 5 H.C. signed and numbered from I to V, 1995. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
Edition offered to the members of 1995 of the Centre genevois de gravure contemporaine association.
Luc Tuymans
Le Verdict
Luc Tuymans, Le Verdict, 11 colour lithographs, printed on 7 strips of blotting paper, 50 × 590 cm, 50 × 569 cm, 50 × 506 cm, 50 × 210 cm, 50 × 195 cm and 50 × 200 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
Strip No 1: Strip with 3 lithographs, 50 × 569 cm.
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Strip No 2: Strip with 2 lithographs, 50 × 590 cm.
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Strip No 3: Strip with 2 lithographs, 50 × 506 cm.
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Strip No 4: Strip with 1 lithograph, 50 × 380 cm.
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Strip No 5: Strip with 1 lithograph, 50 × 210 cm.
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Strip No 6: Strip with 1 lithograph, 50 × 195 cm.
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Strip No 7: Strip with 1 lithograph, 50 × 200 cm.
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Karen Kilimnik
Tiger
Karen Kilimnik, Tiger, 7 lithographs, black/white, on Velin BFK Rives 250 g/m2 paper, white, 70 × 50 cm, one silkscreen print on Pop’set Californie 240 g/m2 paper, 35 × 49.5 cm, a plastic mirror and a plexiglas plate used as impressum, in a box covered in fake fur and lined with satin, 54 × 74 cm, edition of 10 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
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Thomas Hirschhorn
Les plaintifs, les bêtes, les politique
Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, offset printed brochure, CMYK color model, glossy coated paper, 80 g/m2, 231 × 24 cm, 208 pages. Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017.
Sold out (Original edition by the Centre genevois de gravure contemporaine, Geneva, 1995)
CHF 55.- (facsimile edited by the Galerie Chantal Crousel, Paris, 2017)
Olivier Mosset
Sans titre
Olivier Mosset, Sans titre, 25 unique etchings, aquatint, monochromes, black, white, colours, Ø approx. 30 cm, plus 5 H.C., framed, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
CHF 4’000.– each
Alexandre Bianchini
–
Huber Mean
Version # 1
Alexandre Bianchini – Huber Mean, Vinyl, Version # 1, 12’’ maxi record, A and B side, sound mixing of a text and of various styles of music (jazz and acid jazz), edition of 300. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
Edition offered to the members of 1994 of the Centre genevois de gravure contemporaine association.
CHF 15.–
Claude Closky
8560 nombres qui ne servent pas à donner l’heure
Claude Closky, 8560 nombres qui ne servent pas à donner l’heure, 2 series of 80 books of 214 pages, on Data Copy Coated 100 g/m2 paper, 21 × 15 cm, one separable series and one inseparable series. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
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Alex Hanimann
235.604 – 1789
Alex Hanimann, 235.604 – 1789, 112 lino engravings on ivory satin cardboard 240 g/m2, black and red, presented in a black box, 32.5 × 24 cm, edition of 20 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
CHF 800.–
Giuseppe Penone
Images de pierres
Giuseppe Penone, Image de pierres, lithograph from a marble slab, 85 × 63 cm, edition of 19 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 111 × 40 cm, edition of 24 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 80 × 121 cm, edition of 30 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 100 × 80 cm, edition of 19 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 121 × 80 cm, edition of 24 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Simon Lamunière, Sans titre
Simon Lamunière, Sans titre, silkscreen print, black/white, colours, on Arches 88 300 g/m2 paper, 23 × 47 cm, edition of 130 plus 5 A.P. and 5 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
Edition offered to the members of 1993 of the Centre genevois de gravure contemporaine association.
CHF 50.–
Ian Anüll
O.T.
Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 89 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Ian Anüll, O.T., radiance of a real and of an artificial pearl, two silkscreen prints on marble, black/white, 13 × 13 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Ian Anüll, O.T., silkscreen print on aluminium, black/white, 30 × 49 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 500.–
Ian Anüll, O.T., silkscreen print on plywood panel, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Sigurdur Arni Sigurdsson
Réserve
Sigurdur Arni Sigurdsson, Réserve, artist’s book, 6 double pages, etching on BFK Rives and japanese style paper, 22 × 17 cm, edition of 60 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 500.–
Sigurdur Arni Sigurdsson
Corrections
Sigurdur Arni Sigurdsson, Corrections, series of 6 collotypes, black/white, on collotype paper, 30 × 30 cm, edition of 60 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 300.–
Claude Gaçon
Sans cible
Claude Gaçon, Sans cible, series of 6 engravings, etching and offset, black/white, on Vélin BFK Rives 280 g/m2, 50 × 50 cm, edition of 8 plus 2 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 800.-
Roman Signer
Action avec une bicyclette et papier
Roman Signer, Action avec une bicyclette et papier, traces of bicycle tires on paper, 21 × 29.5 cm, edition of 157 plus 4 A.P. and 3 H.C., signed, dated and numbered from 1 to 150. With a photograph by Stefan Rohner. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.
Edition offered to the members of 1992 of the Centre genevois de gravure contemporaine association.
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Stephan Landry
Esquive
Stephan Landry, Esquive, artist’s book made up of 14 colour lithographs on Vélin BFK Rives 250 g/m2 paper, 14.5 × 24 cm, edition of 50 plus 3 A.P. and 3 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.
CHF 100.–
John M Armleder
Sans titre
John M Armleder, Sans titre, 21 unique engravings (etchings and monotypes), colour, on Arches paper, 200 × 100 cm, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.
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Marcel Broodthaers, l’oeuvre graphique, essais
Marcel Broodthaers, l’oeuvre graphique, essais. Texts by: Rainer Borgermeister, Johannes Cladders, Michael Compton, Philippe Cuenat, Yves Gevaert, Alain Jouffroy, Anne Rorimer and Dieter Schwarz, 1991. 24 × 17 cm, 62 illustrations, black/white, 140 pages
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Laurence Pittet
Sans titre
Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 black, 1 red, 1 blue), on Arches paper, 50 × 65 cm, edition of 9 for each colour plus 1 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 200.– per lithograph
Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 red, 1 blue, 1 yellow), on newspaper, 64.5 × 94 cm, edition of 9 for each colour plus 3 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 200.– per lithograph
Laurence Pittet, Sans titre, colour lithography on Arches paper, 38 × 46.5 cm, edition of 20 plus 1 H.C., signed and numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 100.– per lithograph
Marie Sacconi
Madame B. a ri
Marie Sacconi, Madame B. a ri, artist’s book, offset, 96 pages, on Bible paper 40 g/m2, 15.2 × 11.4 cm, edition of 150 plus 20 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 60.–
Marie Sacconi
Sans titre
Marie Sacconi, Sans titre, 3 embossed patterns on Arches and Rives paper, 180 × 110 cm, edition of 3 for each pattern plus 1 H.C., numbered, signed and dated on the back. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 900.– each
Jean-Michel Othoniel
La Grande Lèvre
Le Complimenté
L’Interdit
De la passe sainte à la peinture de passe
Jean-Michel Othoniel, La Grande Lèvre, sulphur on copper on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, Le Complimenté, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 166.7 × 106.7 cm, edition of 6 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, L’Interdit, sulphur on copper, colour (yellow), enhanced with oil on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, De la passe sainte à la peinture de passe, diptych, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 214.4 × 166.7 cm, edition of 3 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Rémi Dall’Aglio
Sans titre
Rémi Dall’Aglio, Sans titre, lino-engraving on photosensitive paper, black/white, 21 × 29.6 cm, edition of 150, numbered and signed with a dry stamp. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
Edition offered to the members of 1990 of the Centre genevois de gravure contemporaine association.
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Andreas Hofer
Sans titre
Andreas Hofer, Sans titre, box containing 6 perforated discs, covered with enamel front and back, on aluminium, colour and black/white, with an impressum on cardboard in a tracing paper envelope. With two colour photographs of the installation. 52.5 × 52.5 cm, edition of 20, numbered and marked with a dry stamp « H » at the bottom of the box. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
CHF 1’800.–
Anne Pesce
Pêcheur, c’est lui qui devient un poisson
Anne Pesce, Pêcheur, c’est lui qui devient un poisson, artist’s book with a text by the artist, offset on laid paper Conqueror 100 g/m2 and 220 g/m2, 21 × 19 cm, edition of 150 plus 20 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
CHF 50.–
Roman Signer
Installation hélicoptère 1990
Roman Signer, Installation hélicoptère 1990, pilot: Armin Caspari, Video: Simon Lamunière, Edition: Video U-Matic and VHS, 5 min, sound, colours, Pal. U-Matic: edition of 10 plus 5 H.C., numbered and signed. VHS: edition of 20 plus 4 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
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Emmett Williams
La dernière pomme frite et autres poèmes des fifties et sixties
Emmett Williams, La dernière pomme frite et autres poèmes des fifties et sixties, 112 lino engravings on ivory satin cardboard 240 g/m2, black and red, presented in a black box, 32.5 × 24 cm, edition of 20 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1989.
CHF 800.–
Ian Anüll
Sans titre
Ian Anüll, Sans titre, embossing on gold leaf, on Arches paper, 30.4 × 21.6 cm, edition of 140, numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1989.
Edition offered to the members of 1989 of the Centre genevois de gravure contemporaine association.
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Henri Michaux
Henri Michaux, catalogue with texts by : Anne Patry and Paul Viaccoz, Jean Starobinski, Alfred Pacquement, Alain Jouffroy, René Micha, Raymond Bellour, 1989. 32 x 24 cm, 18 illustrations, black&white and colour, 52 pages
CHF 32.-
Christian Lindow
Christian Lindow, NATURE MORTE AVEC POISSON I, edition of the Centre genevois de gravure contemporaine, 1987.
CHF 500.-
Christian Lindow, BAIGNEUSE IV, edition of the Centre genevois de gravure contemporaine, 1987.
CHF 500.-
Christian Lindow, PUTTI, Edition of the Centre genevois de gravure contemporaine, 1987.
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Cinq pièces avec vue
Cinq pièces avec vue, Gerd Belz, Silvie and Chérif Defraoui, Gary Hill, Jacques-Louis Nyst and Marcel Odenbach. Texts by : Véronique Bacchetta, Bel Veder, Heike Melba-Fendel, Denys Zacharopoulos, Raymond Bellour, Eric de Moffarts, Anne-Marie Duguet. Edited in collaboration with Saint-Gervais for the second « Semaine Internationale de Vidéo », 1987. 28 x 21 cm, 15 illustrations, black&white, 32 pages
CHF 20.-
Ian Anüll
Pile-Face
Ian Anüll, Pile-Face, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 1’800.-
Marc Camille Chaimowicz
