Vidya Gastaldon
KLAT
EVIL TALK
KLAT, EVIL TALK, poster, silkscreen print, black/white phosphorescent on poster paper, 50 × 100 cm, edition of 300. Coedition of the Centre genevois de gravure contemporaine and Forde, espace d’art contemporain, Geneva, 2000.
Edition offered to the members of 1999 of the Centre genevois de gravure contemporaine association.
CHF 50.-
Elke Krystufek
In the Arms of Luck
Elke Krystufek, In the Arms of Luck, book, offset print, black/white, colours, on Centaure white 170 g/m2 paper, 29 × 21,5 cm, 56 pages, full cardboard binding, edition of 800. Coedition of the Centre genevois de gravure contemporaine, Geneva, and the Maison Levanneur / Centre National de l’Estampe et de l’Art Imprimé, Chatou, 1999. ISBN 2-912483-03-4.
CHF 40.–
Elke Krystufek
Economical Love
Elke Krystufek, Economical Love, poster, offset print, colours, 70 × 50 cm, edition of 160 dated and signed and approx. 60 not signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Edition offered to the members of 1998 of the Centre genevois de gravure contemporaine association.
CHF 30.– not signed
CHF 50.– dated and signed
Mourad Cheraït
Sans titre
Mourad Cheraït, Sans titre, tablemat, offset print, colours, on white offset paper 80 g/m2, 28 × 42 cm, edition of 1500. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Alex Baladi
Alex Baladi, Tous mutants, publication, comics, Xerox copies, edition of 100, 21 × 15 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
Alex Baladi, De toutes petites choses un petit peu personnelles, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Alex Baladi, Pourquoi, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
Alex Baladi, Chicas, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Elena Montesinos
Sincerly Yours
Elena Montesinos, Sincerely Yours, musical greeting card inside transparent plastic, photographs on thermic paper, music processor, 15.3 × 11.5 cm, edition of 20, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
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Elena Montesinos
Love it
Elena Montesinos, Love it, blotting paper, plastic, 8.2 × 12.1 cm, edition of 300, numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1997.
Edition offered to the members of 1997 of the Centre genevois de gravure contemporaine association.
CHF 15.–
Jérôme Hentsch and Alain Julliard
Jérôme Hentsch and Alain Julliard, Un bateau en papier, offset print on Zerkall-Bütten Ingres champagne vergé 90 g/m2 paper, 29.7 × 21 cm, in a cardboard jacket Invercote GX white 340 g/m2, 29.8 × 21.1 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–
Alain Julliard and Jérôme Hentsch, Fond de commerce, silkscreen print on acetate, 45.5 × 21 cm, in a cardboard jacket Invercote GX blanc 340 g/m2, 46.5 × 42.4 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–
Fabrice Gygi,
Sans titre
Fabrice Gygi, Sans titre, silkscreen poster, colours, 100 × 68 cm, edition of 150, numbered from 1 to 150, plus 8 A.P., dated, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Edition offered to the members of 1996 of the Centre genevois de gravure contemporaine association.
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Heimo Zobernig
Sans titre
Heimo Zobernig, Sans titre, 15 lithographs, black, on BFK Rives 300 g/m2 paper, 80 × 65 cm, edition of 4 plus 1 A.P. and 1 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 5’000.– each
Nicolás Fernández
Nicolás Fernández, Tu es entré et tu es sorti. Maman, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Ils nous ont donné, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Ils nous ont vendu, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Ils nous ont acheté, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
Nicolás Fernández, Vos mères se souviendront de vous, woodcut, protection paper, 101 × 76 cm, edition of 6 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 600.-
Nicolás Fernández, Je t’ai donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-
Nicolás Fernández, Tu m’as donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-
Alexandre Bianchini
Detroit on Circle
Alexandre Bianchini, Detroit on Circle, super 8 mm films, colours, 3’, 24 im/sec, edition of 12 plus 2 A.P. and 2 H.C., numbered. Sound: Minus, Robert Hood / Maurizio 05, basic channel / Vertical, Jeff Mills, Axis 008 / Growth, Jeff Mills, Axis 10 / Detroit on circle, Robert Hood / Internal empire, Robert Hood / Mike Inke, Studio 1 / Version, Hubert Mean / DJ Sid, MG 004 / (excerpts). Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
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Kristin Oppenheim
Slip
Kristin Oppenheim, Slip, six lithographs, black/white, on BFK Rives 300 g/m2 paper, 80 × 60 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 650.– each
Rosemarie Trockel
Sans titre
Rosemarie Trockel, Sans titre, 3 etchings (3 patterns: grid, loops, balloons), soft wax, colours, on BFK Rives 300 g/m2 paper, 120 × 90 cm, printed in 9 copies (of which: 3 blue copies, 3 red copies and 3 green copies, signed and dated), edition of 27 plus 9 A.P. and 11 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
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Olivier Mosset
Sans titre
Olivier Mosset, Sans titre, burin engraving, black/white, 35 × 35 cm, 150 H.C., signed and numbered from 1 to 150, and 5 H.C. signed and numbered from I to V, 1995. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
Edition offered to the members of 1995 of the Centre genevois de gravure contemporaine association.
Luc Tuymans
Le Verdict
Luc Tuymans, Le Verdict, 11 colour lithographs, printed on 7 strips of blotting paper, 50 × 590 cm, 50 × 569 cm, 50 × 506 cm, 50 × 210 cm, 50 × 195 cm and 50 × 200 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
Strip No 1: Strip with 3 lithographs, 50 × 569 cm.
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Strip No 2: Strip with 2 lithographs, 50 × 590 cm.
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Strip No 3: Strip with 2 lithographs, 50 × 506 cm.
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Strip No 4: Strip with 1 lithograph, 50 × 380 cm.
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Strip No 5: Strip with 1 lithograph, 50 × 210 cm.
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Strip No 6: Strip with 1 lithograph, 50 × 195 cm.
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Strip No 7: Strip with 1 lithograph, 50 × 200 cm.
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Karen Kilimnik
Tiger
Karen Kilimnik, Tiger, 7 lithographs, black/white, on Velin BFK Rives 250 g/m2 paper, white, 70 × 50 cm, one silkscreen print on Pop’set Californie 240 g/m2 paper, 35 × 49.5 cm, a plastic mirror and a plexiglas plate used as impressum, in a box covered in fake fur and lined with satin, 54 × 74 cm, edition of 10 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
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Thomas Hirschhorn
Les plaintifs, les bêtes, les politique
Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, offset printed brochure, CMYK color model, glossy coated paper, 80 g/m2, 231 × 24 cm, 208 pages. Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017.
Sold out (Original edition by the Centre genevois de gravure contemporaine, Geneva, 1995)
CHF 55.- (facsimile edited by the Galerie Chantal Crousel, Paris, 2017)
Olivier Mosset
Sans titre
Olivier Mosset, Sans titre, 25 unique etchings, aquatint, monochromes, black, white, colours, Ø approx. 30 cm, plus 5 H.C., framed, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
CHF 4’000.– each
Alexandre Bianchini
–
Huber Mean
Version # 1
Alexandre Bianchini – Huber Mean, Vinyl, Version # 1, 12’’ maxi record, A and B side, sound mixing of a text and of various styles of music (jazz and acid jazz), edition of 300. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
Edition offered to the members of 1994 of the Centre genevois de gravure contemporaine association.
CHF 15.–
Claude Closky
8560 nombres qui ne servent pas à donner l’heure
Claude Closky, 8560 nombres qui ne servent pas à donner l’heure, 2 series of 80 books of 214 pages, on Data Copy Coated 100 g/m2 paper, 21 × 15 cm, one separable series and one inseparable series. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
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Alex Hanimann
235.604 – 1789
Alex Hanimann, 235.604 – 1789, 112 lino engravings on ivory satin cardboard 240 g/m2, black and red, presented in a black box, 32.5 × 24 cm, edition of 20 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
CHF 800.–
Giuseppe Penone
Images de pierres
Giuseppe Penone, Image de pierres, lithograph from a marble slab, 85 × 63 cm, edition of 19 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 111 × 40 cm, edition of 24 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 80 × 121 cm, edition of 30 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 100 × 80 cm, edition of 19 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 121 × 80 cm, edition of 24 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Simon Lamunière, Sans titre
Simon Lamunière, Sans titre, silkscreen print, black/white, colours, on Arches 88 300 g/m2 paper, 23 × 47 cm, edition of 130 plus 5 A.P. and 5 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
Edition offered to the members of 1993 of the Centre genevois de gravure contemporaine association.
CHF 50.–
Ian Anüll
O.T.
Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 89 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Ian Anüll, O.T., radiance of a real and of an artificial pearl, two silkscreen prints on marble, black/white, 13 × 13 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Ian Anüll, O.T., silkscreen print on aluminium, black/white, 30 × 49 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 500.–
Ian Anüll, O.T., silkscreen print on plywood panel, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Sigurdur Arni Sigurdsson
Réserve
Sigurdur Arni Sigurdsson, Réserve, artist’s book, 6 double pages, etching on BFK Rives and japanese style paper, 22 × 17 cm, edition of 60 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 500.–
Sigurdur Arni Sigurdsson
Corrections
Sigurdur Arni Sigurdsson, Corrections, series of 6 collotypes, black/white, on collotype paper, 30 × 30 cm, edition of 60 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 300.–
Claude Gaçon
Sans cible
Claude Gaçon, Sans cible, series of 6 engravings, etching and offset, black/white, on Vélin BFK Rives 280 g/m2, 50 × 50 cm, edition of 8 plus 2 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 800.-
Roman Signer
Action avec une bicyclette et papier
Roman Signer, Action avec une bicyclette et papier, traces of bicycle tires on paper, 21 × 29.5 cm, edition of 157 plus 4 A.P. and 3 H.C., signed, dated and numbered from 1 to 150. With a photograph by Stefan Rohner. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.
Edition offered to the members of 1992 of the Centre genevois de gravure contemporaine association.
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Stephan Landry
Esquive
Stephan Landry, Esquive, artist’s book made up of 14 colour lithographs on Vélin BFK Rives 250 g/m2 paper, 14.5 × 24 cm, edition of 50 plus 3 A.P. and 3 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.
CHF 100.–
John M Armleder
Sans titre
John M Armleder, Sans titre, 21 unique engravings (etchings and monotypes), colour, on Arches paper, 200 × 100 cm, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.
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Laurence Pittet
Sans titre
Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 black, 1 red, 1 blue), on Arches paper, 50 × 65 cm, edition of 9 for each colour plus 1 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 200.– per lithograph
Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 red, 1 blue, 1 yellow), on newspaper, 64.5 × 94 cm, edition of 9 for each colour plus 3 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 200.– per lithograph
Laurence Pittet, Sans titre, colour lithography on Arches paper, 38 × 46.5 cm, edition of 20 plus 1 H.C., signed and numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 100.– per lithograph
Marie Sacconi
Madame B. a ri
Marie Sacconi, Madame B. a ri, artist’s book, offset, 96 pages, on Bible paper 40 g/m2, 15.2 × 11.4 cm, edition of 150 plus 20 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 60.–
Marie Sacconi
Sans titre
Marie Sacconi, Sans titre, 3 embossed patterns on Arches and Rives paper, 180 × 110 cm, edition of 3 for each pattern plus 1 H.C., numbered, signed and dated on the back. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 900.– each
Jean-Michel Othoniel
La Grande Lèvre
Le Complimenté
L’Interdit
De la passe sainte à la peinture de passe
Jean-Michel Othoniel, La Grande Lèvre, sulphur on copper on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, Le Complimenté, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 166.7 × 106.7 cm, edition of 6 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, L’Interdit, sulphur on copper, colour (yellow), enhanced with oil on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, De la passe sainte à la peinture de passe, diptych, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 214.4 × 166.7 cm, edition of 3 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Rémi Dall’Aglio
Sans titre
Rémi Dall’Aglio, Sans titre, lino-engraving on photosensitive paper, black/white, 21 × 29.6 cm, edition of 150, numbered and signed with a dry stamp. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
Edition offered to the members of 1990 of the Centre genevois de gravure contemporaine association.
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Andreas Hofer
Sans titre
Andreas Hofer, Sans titre, box containing 6 perforated discs, covered with enamel front and back, on aluminium, colour and black/white, with an impressum on cardboard in a tracing paper envelope. With two colour photographs of the installation. 52.5 × 52.5 cm, edition of 20, numbered and marked with a dry stamp « H » at the bottom of the box. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
CHF 1’800.–
Anne Pesce
Pêcheur, c’est lui qui devient un poisson
Anne Pesce, Pêcheur, c’est lui qui devient un poisson, artist’s book with a text by the artist, offset on laid paper Conqueror 100 g/m2 and 220 g/m2, 21 × 19 cm, edition of 150 plus 20 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
CHF 50.–
Roman Signer
Installation hélicoptère 1990
Roman Signer, Installation hélicoptère 1990, pilot: Armin Caspari, Video: Simon Lamunière, Edition: Video U-Matic and VHS, 5 min, sound, colours, Pal. U-Matic: edition of 10 plus 5 H.C., numbered and signed. VHS: edition of 20 plus 4 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
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Emmett Williams
La dernière pomme frite et autres poèmes des fifties et sixties
Emmett Williams, La dernière pomme frite et autres poèmes des fifties et sixties, 112 lino engravings on ivory satin cardboard 240 g/m2, black and red, presented in a black box, 32.5 × 24 cm, edition of 20 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1989.
CHF 800.–
Ian Anüll
Sans titre
Ian Anüll, Sans titre, embossing on gold leaf, on Arches paper, 30.4 × 21.6 cm, edition of 140, numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1989.
Edition offered to the members of 1989 of the Centre genevois de gravure contemporaine association.
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