(INDEX)

Vidya Gastaldon
&
Jean-Michel Wicker
Chromolux Landscape

Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, silkscreen prints, two colours (fluorescent pink or silver) and two patterns (landscape or crystals), 100 × 70 cm, on an unlimited series of Chromolux 250 g/m2 papers (Color or Perlmutt Iridescent or Metallic), edition of 174 plus 8 A.P. and 12 H.C., not signed, not numbered, not dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
CHF 250.- one print
CHF 450.- two prints

KLAT
EVIL TALK

KLAT, EVIL TALK, poster, silkscreen print, black/white phosphorescent on poster paper, 50 × 100 cm, edition of 300. Coedition of the Centre genevois de gravure contemporaine and Forde, espace d’art contemporain, Geneva, 2000.
Edition offered to the members of 1999 of the Centre genevois de gravure contemporaine association.
CHF 50.-

Elke Krystufek
In the Arms of Luck

 

Elke Krystufek, In the Arms of Luck, book, offset print, black/white, colours, on Centaure white 170 g/m2 paper, 29 × 21,5 cm, 56 pages, full cardboard binding, edition of 800. Coedition of the Centre genevois de gravure contemporaine, Geneva, and the Maison Levanneur / Centre National de l’Estampe et de l’Art Imprimé, Chatou, 1999. ISBN 2-912483-03-4.
CHF 40.–

Elke Krystufek
Economical Love

Elke Krystufek, <em>Economical Love</em>, 1998
Elke Krystufek, Economical Love, 1998
Elke Krystufek, Economical Love, poster, offset print, colours, 70 × 50 cm, edition of 160 dated and signed and approx. 60 not signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Edition offered to the members of 1998 of the Centre genevois de gravure contemporaine association.
CHF 30.– not signed
CHF 50.– dated and signed

Alex Baladi

Alex Baladi
Alex Baladi
Alex Baladi, Tous mutants, publication, comics, Xerox copies, edition of 100, 21 × 15 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
 
Alex Baladi, De toutes petites choses un petit peu personnelles, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Sold out
 
Alex Baladi, Pourquoi, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
 
Alex Baladi, Chicas, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Sold out

Jérôme Hentsch and Alain Julliard

Jérôme Hentsch and Alain Julliard, Fond de commerce
Jérôme Hentsch and Alain Julliard, Un bateau en papier, 1996
Jérôme Hentsch and Alain Julliard, Un bateau en papier, offset print on Zerkall-Bütten Ingres champagne vergé 90 g/m2 paper, 29.7 × 21 cm, in a cardboard jacket Invercote GX white 340 g/m2, 29.8 × 21.1 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–
 
Alain Julliard et Jérôme Hentsch, <em>Fond de commerce</em>, 1996
Alain Julliard et Jérôme Hentsch, Fond de commerce, 1996
Alain Julliard and Jérôme Hentsch, Fond de commerce, silkscreen print on acetate, 45.5 × 21 cm, in a cardboard jacket Invercote GX blanc 340 g/m2, 46.5 × 42.4 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–

Fabrice Gygi,
Sans titre

Fabrice Gygi, <em>Sans titre</em>, 1996
Fabrice Gygi, Sans titre, 1996
Fabrice Gygi, Sans titre, silkscreen poster, colours, 100 × 68 cm, edition of 150, numbered from 1 to 150, plus 8 A.P., dated, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Edition offered to the members of 1996 of the Centre genevois de gravure contemporaine association.
Sold out

Nicolás Fernández

Nicolás Fernández, view of the exhibition at Centre genevois de gravure contemporaine, Genève, 1996.
Nicolás Fernández, view of the exhibition, Geneva, 1996.
Nicolás Fernández, Tu es entré et tu es sorti. Maman, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Ils nous ont donné, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Ils nous ont vendu, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Ils nous ont acheté, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Vos mères se souviendront de vous, woodcut, protection paper, 101 × 76 cm, edition of 6 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 600.-
Nicolás Fernández, Je t’ai donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-
 
Nicolás Fernández, Tu m’as donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-

 

 

Alexandre Bianchini
Detroit on Circle

Alexandre Bianchini, Detroit on Circle, super 8 mm films, colours, 3’, 24 im/sec, edition of 12 plus 2 A.P. and 2 H.C., numbered. Sound: Minus, Robert Hood / Maurizio 05, basic channel / Vertical, Jeff Mills, Axis 008 / Growth, Jeff Mills, Axis 10 / Detroit on circle, Robert Hood / Internal empire, Robert Hood / Mike Inke, Studio 1 / Version, Hubert Mean / DJ Sid, MG 004 / (excerpts). Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
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Rosemarie Trockel
Sans titre

Rosemarie Trockel, Sans titre, 3 etchings (3 patterns: grid, loops, balloons), soft wax, colours, on BFK Rives 300 g/m2 paper, 120 × 90 cm, printed in 9 copies (of which: 3 blue copies, 3 red copies and 3 green copies, signed and dated), edition of 27 plus 9 A.P. and 11 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
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Olivier Mosset
Sans titre

Olivier Mosset, <em>Sans titre</em>, 1995
Olivier Mosset, Sans titre, 1995
Olivier Mosset, Sans titre, burin engraving, black/white, 35 × 35 cm, 150 H.C., signed and numbered from 1 to 150, and 5 H.C. signed and numbered from I to V, 1995. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
Edition offered to the members of 1995 of the Centre genevois de gravure contemporaine association.

Luc Tuymans
Le Verdict

Luc Tuymans, Le Verdict, 11 colour lithographs, printed on 7 strips of blotting paper, 50 × 590 cm, 50 × 569 cm, 50 × 506 cm, 50 × 210 cm, 50 × 195 cm and 50 × 200 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
Strip No 1: Strip with 3 lithographs, 50 × 569 cm.
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Strip No 2: Strip with 2 lithographs, 50 × 590 cm.
Sold out
Strip No 3: Strip with 2 lithographs, 50 × 506 cm.
Sold out
Strip No 4: Strip with 1 lithograph, 50 × 380 cm.
Sold out
Strip No 5: Strip with 1 lithograph, 50 × 210 cm.
Sold out
Strip No 6: Strip with 1 lithograph, 50 × 195 cm.
Sold out
Strip No 7: Strip with 1 lithograph, 50 × 200 cm.
Sold out

Karen Kilimnik
Tiger

Karen Kilimnik, Tiger, 7 lithographs, black/white, on Velin BFK Rives 250 g/m2 paper, white, 70 × 50 cm, one silkscreen print on Pop’set Californie 240 g/m2 paper, 35 × 49.5 cm, a plastic mirror and a plexiglas plate used as impressum, in a box covered in fake fur and lined with satin, 54 × 74 cm, edition of 10 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.
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Thomas Hirschhorn
Les plaintifs, les bêtes, les politique

Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, offset printed brochure, CMYK color model, glossy coated paper, 80 g/m2, 231 × 24 cm, 208 pages. Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017.
Sold out (Original edition by the Centre genevois de gravure contemporaine, Geneva, 1995)
CHF 55.- (facsimile edited by the Galerie Chantal Crousel, Paris, 2017)

Olivier Mosset
Sans titre

Olivier Mosset, Sans titre, 25 unique etchings, aquatint, monochromes, black, white, colours, Ø approx. 30 cm, plus 5 H.C., framed, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
CHF 4’000.– each

Alexandre Bianchini

Huber Mean
Version # 1

 Alexandre Bianchini – Huber Mean, <em>Version # 1</em>, 1994
Alexandre Bianchini – Huber Mean, Version # 1, 1994
Alexandre Bianchini – Huber Mean, Vinyl, Version # 1, 12’’ maxi record, A and B side, sound mixing of a text and of various styles of music (jazz and acid jazz), edition of 300. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
Edition offered to the members of 1994 of the Centre genevois de gravure contemporaine association.
CHF 15.–

Claude Closky
8560 nombres qui ne servent pas à donner l’heure

Claude Closky, <em>8560 nombres qui ne servent pas à donner l’heure</em>, 1994
Claude Closky, 8560 nombres qui ne servent pas à donner l’heure, 1994
Claude Closky, 8560 nombres qui ne servent pas à donner l’heure, 2 series of 80 books of 214 pages, on Data Copy Coated 100 g/m2 paper, 21 × 15 cm, one separable series and one inseparable series. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
Sold out

Giuseppe Penone
Images de pierres

 
Giuseppe Penone, Image de pierres, lithograph from a marble slab, 85 × 63 cm, edition of 19 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 111 × 40 cm, edition of 24 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
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Giuseppe Penone, Image de pierres, lithograph from a marble slab, 80 × 121 cm, edition of 30 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
Sold out
Giuseppe Penone, Image de pierres, lithograph from a marble slab, 100 × 80 cm, edition of 19 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
Sold out
Giuseppe Penone, Image de pierres, lithograph from a marble slab, 121 × 80 cm, edition of 24 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
Sold out

Simon Lamunière, Sans titre

Simon Lamunière, <em>Sans titre</em>, 1993
Simon Lamunière, Sans titre, 1993
Simon Lamunière, Sans titre, silkscreen print, black/white, colours, on Arches 88 300 g/m2 paper, 23 × 47 cm, edition of 130 plus 5 A.P. and 5 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
Edition offered to the members of 1993 of the Centre genevois de gravure contemporaine association.
CHF 50.–

Ian Anüll
O.T.

 
Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 89 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–
Ian Anüll, O.T., radiance of a real and of an artificial pearl, two silkscreen prints on marble, black/white, 13 × 13 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
Sold out
Ian Anüll, O.T., silkscreen print on aluminium, black/white, 30 × 49 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 500.–
Ian Anüll, O.T., silkscreen print on plywood panel, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.
CHF 1’000.–

Roman Signer
Action avec une bicyclette et papier

Roman Signer, <em>Action avec une bicyclette et papier</em>, 1992
Roman Signer, Action avec une bicyclette et papier, 1992
Roman Signer, Action avec une bicyclette et papier, traces of bicycle tires on paper, 21 × 29.5 cm, edition of 157 plus 4 A.P. and 3 H.C., signed, dated and numbered from 1 to 150. With a photograph by Stefan Rohner. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.
Edition offered to the members of 1992 of the Centre genevois de gravure contemporaine association.
Sold out

Laurence Pittet
Sans titre

Laurence Pittet, <em>Sans titre</em>, 1991
Laurence Pittet, Sans titre, 1991
Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 black, 1 red, 1 blue), on Arches paper, 50 × 65 cm, edition of 9 for each colour plus 1 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 200.– per lithograph
Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 red, 1 blue, 1 yellow), on newspaper, 64.5 × 94 cm, edition of 9 for each colour plus 3 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 200.– per lithograph
Laurence Pittet, Sans titre, colour lithography on Arches paper, 38 × 46.5 cm, edition of 20 plus 1 H.C., signed and numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
CHF 100.– per lithograph

Jean-Michel Othoniel
La Grande Lèvre
Le Complimenté
L’Interdit
De la passe sainte à la peinture de passe

Jean-Michel Othoniel, view of the exhibition, 1991.
Jean-Michel Othoniel, view of the exhibition, 1991.
Jean-Michel Othoniel, La Grande Lèvre, sulphur on copper on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, Le Complimenté, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 166.7 × 106.7 cm, edition of 6 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, L’Interdit, sulphur on copper, colour (yellow), enhanced with oil on Vélin Arches 88 paper, 350 g/m2, 166.7 × 106.7 cm, edition of 5 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Jean-Michel Othoniel, De la passe sainte à la peinture de passe, diptych, sulphur on copper, enhanced with oil on Vélin Arches 88 paper 350 g/m2, 214.4 × 166.7 cm, edition of 3 plus 1 A.P. and 1 H.C., signed on the back, dated and marked M.T. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.
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Rémi Dall’Aglio
Sans titre

Rémi Dall'Aglio, <em>Sans titre</em>, 1990
Rémi Dall’Aglio, Sans titre, 1990
Rémi Dall’Aglio, Sans titre, lino-engraving on photosensitive paper, black/white, 21 × 29.6 cm, edition of 150, numbered and signed with a dry stamp. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
Edition offered to the members of 1990 of the Centre genevois de gravure contemporaine association.
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Andreas Hofer
Sans titre

Andreas Hofer, Sans titre, box containing 6 perforated discs, covered with enamel front and back, on aluminium, colour and black/white, with an impressum on cardboard in a tracing paper envelope. With two colour photographs of the installation. 52.5 × 52.5 cm, edition of 20, numbered and marked with a dry stamp « H » at the bottom of the box. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
CHF 1’800.–

Anne Pesce
Pêcheur, c’est lui qui devient un poisson

Anne Pesce, <em>Pêcheur, c'est lui qui devient un poisson</em>, 1990
Anne Pesce, Pêcheur, c’est lui qui devient un poisson, 1990
Anne Pesce, Pêcheur, c’est lui qui devient un poisson, artist’s book with a text by the artist, offset on laid paper Conqueror 100 g/m2 and 220 g/m2, 21 × 19 cm, edition of 150 plus 20 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
CHF 50.–

Roman Signer
Installation hélicoptère 1990

Roman Signer, <em>Installation hélicoptère 1990</em>, 1990
Roman Signer, Installation hélicoptère 1990, 1990
Roman Signer, Installation hélicoptère 1990, pilot: Armin Caspari, Video: Simon Lamunière, Edition: Video U-Matic and VHS, 5 min, sound, colours, Pal. U-Matic: edition of 10 plus 5 H.C., numbered and signed. VHS: edition of 20 plus 4 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.
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Emmett Williams
La dernière pomme frite et autres poèmes des fifties et sixties

Emmett Williams, <em>La dernière pomme frite et autres poèmes des fifties et sixties</em>, 1989
Emmett Williams, La dernière pomme frite et autres poèmes des fifties et sixties, 1989
Emmett Williams, La dernière pomme frite et autres poèmes des fifties et sixties, 112 lino engravings on ivory satin cardboard 240 g/m2, black and red, presented in a black box, 32.5 × 24 cm, edition of 20 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1989.
CHF 800.–

Christian Lindow

Christian Lindow, NATURE MORTE AVEC POISSON I, edition of the Centre genevois de gravure contemporaine, 1987.
CHF 500.-
Christian Lindow, BAIGNEUSE IV, edition of the Centre genevois de gravure contemporaine, 1987.
CHF 500.-
Christian Lindow, PUTTI, Edition of the Centre genevois de gravure contemporaine, 1987.
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Marc Camille Chaimowicz

Marc Camille Chaimowicz, Haunted * Sometimes * Regrets * Perhaps, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
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Marc Camille Chaimowicz, Les soeurs folles, edition du Centre genevois de gravure contemporaine, Genève, 1986.
CHF. 3’000.- the two prints
Marc Camille Chaimowicz, La grande fenêtre, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 1’200.– per print
Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide I, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 1’500.– per print
Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide II, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 1’500.– per print
Marc Camille Chaimowicz, Les enfants prodigues I, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 900.– per print
Marc Camille Chaimowicz, Les enfants prodigues II, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 900.– per print
Marc Camille Chaimowicz, Après, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 900.– per print
Marc Camille Chaimowicz, Cuivre-Zinc, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 1’200.– per print
Marc Camille Chaimowicz, La première des deux sœurs, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 1’000.– per print
Marc Camille Chaimowicz, La deuxième des deux sœurs, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 1’000.– per print
Marc Camille Chaimowicz, Pour Balthazar, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 800.– per print
Marc Camille Chaimowicz, A Search, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 800.– per print
Marc Camille Chaimowicz, La première aquatinte, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 800.– per print
Marc Camille Chaimowicz, La fin de l’été, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.
CHF 500.– per print